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Towards the last two months of my last visit to India in the spring of 2012, I encountered the Tibetan community in exile in India experiencing painful news of their people self-immolating in fire one after another in China-occupied Tibet. My experiences in the past visits in India (drawing a cremation site in Varanasi, documenting fire pits, cremation alters, and contemplating on life and death around fire) synchronized with this particular movement, an extreme way of ‘offering’ their bodies to ‘fire’ for asking freedom and peace.I could not help drawing large and small drawings as emotional response and with a sense of mourning.

After coming back to Vancouver, the self-immolation kept happening and I felt that my personal and professional task is not finished.

I have come back to India to continue to document and draw under the same theme. tomoyoihaya@hotmail.com

25 September 2023

Art news - In the Present Moment: Buddhism, Contemporary Art, and Social Practice, Walter Phillips Gallery, Banff, Alberta, Canada


A group exhibition ' In the Present Moment: Buddhism, Contemporary Art, and Social Practice' opened at Walter Phillips Gallery, Banff Art Centre on September 14th.  Congratulations and gratitude to curators, Haema Sivanesan and Jacqueline Bell, and the preparatory team for their hard work. Congratulations to wonderful fellow artists๐Ÿ™๐Ÿผ(see ⬇️ )I am humbled that 17 drawings from ‘Drawings from Dharamsala’ are included in this exhibition.

Photos below are installation shots before adding captions (sent by Haema Sivanesan, the curator)




Each drawing was drawn dedicating to a fellow human who sacrificed his/her life for others' dignity and freedom.  I am glad their existences will be recognised in the different part of the world.Opening Sept. 14, 5-8pm @waterphillipsgallery in Banff

ใ‚ซใƒŠใƒ€ใฎใ‚ขใƒซใƒใƒผใ‚ฟๅทž、ใƒใƒณใƒ•ใซใ‚ใ‚‹ใƒใƒณใƒ•・ใ‚ขใƒผใƒˆ・ใ‚ปใƒณใ‚ฟใƒผใฎใ‚ฆใ‚ฉใƒซใ‚ฟใƒผ・ใƒ•ใ‚ฃใƒชใƒƒใƒ—ใ‚น・ใ‚ฎใƒฃใƒฉใƒชใƒผใง、『In the Present Moment: Buddhism, Contemporary Art, and Social Practice」ใŒ9ๆœˆ14ๆ—ฅใ‹ใ‚‰ๅง‹ใพใ‚Šใพใ—ใŸ。ใƒ˜ใƒž・ใ‚ทใƒดใ‚กใƒใ‚ตใƒณ ใ‚ญใƒฅใƒฌใƒผใ‚ทใƒงใƒณใซใ‚ˆใ‚‹๏ผ™ไบบใฎไฝœๅฎถใฎใ‚ฐใƒซใƒผใƒ—ๅฑ•ใงใ™。๏ผ˜ไบบใฎไฝœๅฎถใ•ใ‚“ใฎ็ด ๆ™ดใ‚‰ใ—ใ„ใ‚คใƒณใ‚นใ‚ฟใƒฌใƒผใ‚ทใƒงใƒณใ‚„ใƒ“ใƒ‡ใ‚ช、ใ‚ฟใƒ–ใƒญใƒผใจไธ€็ท’ใซ、「ใƒ€ใƒฉใƒ ใ‚ตใƒฉใ‹ใ‚‰ใฎ็ตต」ใฎ๏ผ‘๏ผ—็‚นใŒๅฑ•็คบใ•ใ‚Œใฆใ„ใพใ™。็งใฏๆฎ‹ๅฟตใชใŒใ‚‰่กŒใ‘ใพใ›ใ‚“ใŒ、ใ‚‚ใ—ใƒใƒณใƒ•ใซใ„ใ‚‰ใฃใ—ใ‚ƒใ‚‹ๆ–นใŒใ„ใŸใ‚‰、ใฉใ†ใžใŠ็ซ‹ใกๅฏ„ใ‚Šใใ ใ•ใ„。ใใ‚Œใžใ‚Œใฎ็ตตใฏๅˆฉไป–ใฎ็ฒพ็ฅžใง่‡ชๅˆ†ใฎๅ‘ฝใ‚’็Š ็‰ฒใซใ—ใฆ้€ใฃใฆใ—ใพใฃใŸไบบใฎใ“ใจใ‚’ๆ€ใฃใฆๆใ„ใŸใ‚‚ใฎใงใ™。:::---:::---:::---:::---:::---:::---:::---:::๐—œ๐—ป ๐˜๐—ต๐—ฒ ๐—ฃ๐—ฟ๐—ฒ๐˜€๐—ฒ๐—ป๐˜ ๐— ๐—ผ๐—บ๐—ฒ๐—ป๐˜: ๐—•๐˜‚๐—ฑ๐—ฑ๐—ต๐—ถ๐˜€๐—บ, ๐—–๐—ผ๐—ป๐˜๐—ฒ๐—บ๐—ฝ๐—ผ๐—ฟ๐—ฎ๐—ฟ๐˜† ๐—”๐—ฟ๐˜, ๐—ฎ๐—ป๐—ฑ ๐—ฆ๐—ผ๐—ฐ๐—ถ๐—ฎ๐—น ๐—ฃ๐—ฟ๐—ฎ๐—ฐ๐˜๐—ถ๐—ฐ๐—ฒSameer Farooq, Robert Filliou, Tomoyo Ihaya (@tomoyoihaya), Haruko Okano (@okanoharuko), Tina Pearson (@pearstina), Chrysanne Stathacos (@chrysannestathacos108 ), Susan Stewart, Charwei Tsai (@charweitsai), Paul Walde (@paulwalde), and Lam WongCurated by Haema SivanesanSeptember 15 - December 13, 2023In the Present Moment: Buddhism, Contemporary Art, and Social Practice examines how artists in North America have drawn on Buddhism as a methodology of art practice. It considers how Buddhism has contributed to important developments in contemporary art including the dematerialization of the art object, a phenomenon that radicalized art production and was key to the development of conceptual art and participatory art practices. The exhibition demonstrates the cultural impact of Asia on North America and reflects on an ongoing history of cross-cultural encounter and exchange.Artist books, multiples and scores by George Brecht, Robert Filliou, Dick Higgins and Takako Saito; John Cage; Dick Higgins, George Brecht; Robert Filliou; Pauline Oliveros; Yoko Ono; and La Monte Young (ed).

https://www.banffcentre.ca/in-the-present-moment

16 September 2023

The stars and trees witnessed - Gwanju and Yun Dongju

                                                                                                     copyright Tomoyo Ihaya 2023

I came to know Gwangju, its history and the poet, Yun Dongju when I had a solo exhibition in Gwangju in 2018. This was an incident that came to real because of Mr. Jin Yongju,  a Korean writer and researcher on art and peace, found drawings on this blog. He followed and came to see my solo exhibition in Tokyo and arranged a solo exhibition in Korea in the same year. 

When I was in Gwangju,  a group of people helped together to install the exhibition called 'Empathy - Ninjye' showcasing my works on the theme of meaning of living and dying and empathetic compassion. Before I left there, they took me to an 'old' cemetery, where activists and victims of the democratic uprising in 1980. were buried. It knocked me down and I was in tears without word.  Since then, every year when May comes,  I think of Gwangju and draw drawings as my offering to them. 



At the opening of the exhibition, after hearing my schooling in Tokyo,  a woman came up to me and asked "Do you know Yun Dongju? ".
I said 'No, I do not".  She replied, "You went the same university as he did, how come you do not know about him?".  She was not upset but surprised.  My friend explained to me he was one of the most beloved poet in Korea. He lived during the war time, when Korean Peninsula was colonized by the Japanese military government and came to Japan to study at Rikkyo and Doshisha University. Because he was writing poems in Korean, which was prohibited at that time, he was arrested and imprisoned in Fukuoka. 
He died in that prison along with his cousin after being injected unknown chemical. 

When I returned Japan, I bought his poetry book ' The Sky, Wind, Stars and Poems' ( both in Japanese and Korean) and read it though.  I felt ashamed that I did not know about this poet while majoring in the literature. Since then I read his poems, learned more about the history of Korea (succession of hardship), and carry his book whenever I set for another travel.  Just as he lives in all Korean people's hearts, he lives in my heart too. 

Gwangju and Yun Dongju.  Whenever I draw something for Gwangju, Trees and Yun Dongju's stars appear. 




                                                                copy right tomoyo ihaya 2023


https://en.wikipedia.org/wiki/Gwangju_Uprising  ( Gwangju Uprising)

https://en.wikipedia.org/wiki/Yun_Dong-ju  (Yun Dongju)