info

Towards the last two months of my last visit to India in the spring of 2012, I encountered the Tibetan community in exile in India experiencing painful news of their people self-immolating in fire one after another in China-occupied Tibet. My experiences in the past visits in India (drawing a cremation site in Varanasi, documenting fire pits, cremation alters, and contemplating on life and death around fire) synchronized with this particular movement, an extreme way of ‘offering’ their bodies to ‘fire’ for asking freedom and peace.I could not help drawing large and small drawings as emotional response and with a sense of mourning.

After coming back to Vancouver, the self-immolation kept happening and I felt that my personal and professional task is not finished.

I have come back to India to continue to document and draw under the same theme. tomoyoihaya@hotmail.com

26 October 2022

Thinking of you 3 : Two women who stood up for freedom

Daw Aye Aye Thet  is a teacher. She participated in the anti-dictatorship protest (the civil disobedience movement) and was arrested as a result. 

She was charged 3 years in prison and serving the sentence at this moment. 


 Moe Sett Eain, 22 years old, served in prison for 3 and a half months in infamous Military Interrogation Center.  She was detained along with other young protesters during participating in the anti-dictatorship protest. She witnessed tragic deaths of fellow protesters during the protest and in the prison but survived.  After coming out from the prison, she decided to join the guerrilla force to continue her resistance against the dictatorship.

She will not go home till her country, Myanmar, will be free and democratic again. 

(original source is in Japanese by Mika Funakoshi, please click the link : https://news.yahoo.co.jp/byline/funakoshimika/20220926-00316737?fbclid=IwAR0Ls0lFTZXM0Svx4dyqjuUBzG980m6KESZXxHsqHQAnr3Z5Y8b38d7LesU





19 October 2022

Thinking of you 2: Mother's Egg Curry


The young doctor is 26 years old. 

He has been in the jungle for one year and half. 

He is determined not to surrender to the dictatorship. 

Here is one of songs that he wrote, sang, and posted online to cheer comrades and himself.

He misses his mother, her dishes, and warm home but does not want to give up getting freedom back to the country. 

Sharing his lyrics that was translated into English by his friend.  To listen, please click the link below the lyrics. 

I want to go home:

1. My health is not a good as it was when I was at home....

    Sometimes I stand guard in the rain with a gun.

    I miss Mom's safe and warm home.....

2. It's not as good as the food you cook at home, Mom.... 

    Here I learned to cook and eat well with what I have.....

    I have become a good man by staying at a place of value, Mom.

Chorus: I want to go home...

              I will come home....

              Mom's son is a good boy. 

              Now....

              I am not okay by ...I am ok. 

             Everytime I told my mother on the phone, 

              I lied....

              I want to go home..

Chorus: I want to go home

             I will come home

            Mom's son is a good boy

            Now.....

            I am not okay but ..

            I am okay

            Everytime I told my mother on the phone,

            I lied

            I want to go home

            I will come home

            Maybe tomorrow or maybe someday

            Writers: Nay Lone/Nay Thurain  Singer: Nay Thurain

        https://www.youtube.com/watch?v=VNBy2PYDiGk&feature=youtu.be


There is an article by Mika Funakoshi, an independent journalist, who interviewed him. It is in Japanese, if you read Japanese or use auto translator, you can click the link below. 日本語関連記事(舟越美夏さん執筆)

  https://news.yahoo.co.jp/byline/funakoshimika/20220916-00314736




14 August 2022

Hands



手を動かして、
器に水を汲んで喉が乾いている人に。
動物や植物、大地にも。
手を動かして、
食べ物をつくってわけあうこと。

ペンをとって詩やお話をかいたり、
筆をとって絵をかいたり、
楽器を弾いたり、
みんなの心が幸せになるでしょう。

手は
13,000発の核爆弾や
10億の銃や
2600の爆弾を落とす飛行機や
何十万の戦車を作るために
あるのではありません。

それを設計した心と手
それらを工場で製造した心と手
それらを売って大儲けした心と手
それを使って人を殺した心と手は

幸せでしょうか?

この大きな生命体の中の一つとして生まれてきたのなら
生命体で共に生きるものたちを破壊するために
手を使わないでください。


Use your hands
Fill a bowl with water for those who are thirsty
For animals and plants
Use your hands
Cook and share food

Write poems and stories
Draw, paint, dance, and play music
Everyone's heart will be happy


 13,000 nuclear bombs
 One billion guns, one billion guns
 2,600 airplanes that drop bombs
Hundreds of thousands of tanks

The  mind and hands that designed them
The mind and hands that manufactured them in a factory
The mind  and hands that have made a fortune by selling them
The mind and hands that used it to kill people.

Where is happiness?

Each life is preciously given as one of the large organism
Hands are not made to destroy those who are living together

 





 

12 July 2022

Thinking of you: Myanmar Three finger Salute for Freedom, Equality, and Solidarity 1



                                                                                                                               copyright: tomoyo ihaya
          
  It has been one year and 9 months since the Myanmar's military (Junta) took over the country by a coup on February 1, 2021.  Aung San Suu Kyi, the leader of National League for Democracy and other pro-democracy politicians were detained and imprisoned. 


A majority of civilians, including the young generation, started peaceful demonstrations against Junta on the street and for getting democracy and freedom back. However, 
all protests were cracked down brutally. People have been killed, tortured, and imprisoned by the Junta force. 

The world witnessed democracy in Myanmar was violently taken away after only 5 years, yet, no strong International actions were taken to denounce the military government. 
Realising UN are not taking actions, many young people decided to flee to the jungles, to get training, and to fight back to the military force. 
 
I saw pictures of young and old people marching on the streets and videos of people attacked by the military.  My heart was aching, thinking of a few friends who are there. 
I felt helpless than drawing 'three finger salute' hands, which I could not post till now. 
I also thought of situations in Tibet, Uyghur, Gwangju, Taiwan, HK, Iran, Palestine,  Ukraine, and  many other countries(name it) in different times of the history till present. 

Many faces of people standing up for their freedom and democracy. 
When we live in a democratic territory, we do not recognise how precious it is. 

Here I share a write up by Sue in Myanmar, shared by my journalist friend today. 


       Wounds Erupt

      "Dictators" and "Dictatorship" are the words we, people of Myanmar, (excluding cronies and military supporters) hate from the bottom of our hearts. On hearing these words, loath, disgust, hatred come out automatically. 
    Living under dictatorship over 70 years is living in the hell over 70 years.  From generations to generations, we have been being oppressed.  We grew up with trauma, with fear.
    For years we had no idea of what freedom is, of what citizen right is, what human right is. "Democracy"is a word we heard in our childhood, and our common sense warned up that we would be in trouble if we fight for it.  The word we knew well and had been familiar with is "fear".
    We are nurtured, trained and taught that we must be fearful, that we could bad bad if we are fearless, that we should obey and order given by superiors and that we should not complain. This is the pedagogy, this is the education which has been shaping us, shaping our society. 
    It is only five years ago that we started to know partially and practically what democracy was during the reign of civil government elected by people democratically. WE enjoyed democracy. And we wanted to spend our remaining days of our life enjoying democracy We don't want to be through into the darkness again. We don't want our future generation grow fear like we did.  Enough is enough.  No more children have to live with fear and trauma like we had to. 
    When we knew that our leaders and our elected representatives were arrested and that military coup happened, we were shocked, alarmed, and upset extremely. And our old wounds reopen. We felt hopeless. We felt lost. We felt worried. We felt restless. We can not calm ourselves down. Then spring revolution started to break out. 
    In spring revolution, we all protest against coup, against dictatorship in our own different ways.
This is the revolution that will uproot the dictatorship which rooted over 70 years in Myanmar. 
For democracy, for federal, for freedom, for peace, we have been doing anything at any cost. 
    Artist revolt against dictatorship with art. They poured their emotion onto the canvases.  The pieces 
are not only painting but eruptions of artist's emotions, of Myanmar people 's wounds. We hope that you, through these pieces, can sense pains, resiliency, resistance of Myanmar people.

Su




「『独裁者』『独裁政権』は私たちミャンマー人が、心の底から憎む言葉だ。この単語を耳にすると、無意識のうちに怒りと憎しみが湧き上がる。70年以上に渡った独裁政権下での暮らしは、地獄に70年以上生きたのと同じだった。何世代に渡り私たちは抑圧され、トラウマと恐怖と共に育った。自由、市民の権利、人権。これらがどんなものなのか、私たちは長い間、知らなかった。「民主主義」という言葉を子供の頃に聞いた時、私たちの中の常識が忠告した。「このために戦えば、面倒な目にあうぞ」。私たちが慣れ親しんでいたのは「恐怖」という言葉だった。

私たちは怯えていなければならないと教えられて育った。恐怖を知らなければひどい目にあう。上からの命令に従い、文句を言ってはいけない。これが私たちを形作り、私たちの社会を形作った教育なのだ。

民主主義とはどんなものかを、私たちが知ったのはわずか5年前だ。選挙で選ばれた政権の時代である。私たちは民主主義を謳歌した。残りの人生も、民主主義の中で生きていきたいと思った。再び、暗闇の中に放り込まれたくなかった。次世代の子供たちには、私たちのように恐怖と共に育ってほしくない。恐怖とトラウマと共に生きることがあってはならないのだ。

私たちの指導者と選挙で選ばれた代表が国軍のクーデターにより逮捕されたと知った時、私たちはショックをうけ、憤った。心の中の古傷が口を開けた。希望を失い、不安になり、落ち着かなかった。冷静になることができなかった。そして春革命(Spring Revolution)が起きた。

春革命で、私たち一人一人がそれぞれのやり方で、クーデターを独裁政権に抗議した。これはミャンマーに70年以上、根を張っていた独裁政権を根絶する革命なのだ。民主主義のために、連邦国と自由、平和のために、私たちは力の限りを尽くしている。

アーティストたちは独裁政権に芸術作品で抗う。キャンバスに感情を注ぎ込む。一つ一つの作品は、アーティストたちの感情の爆発、ミャンマーの人々が抱える心の傷の爆発なのだ。作品を通してミャンマーの人々の痛みと立ち直る力、跳ね返す力、抵抗のちからが皆さんに伝わることを願っている。』スー、美術関係者







As of 29 March 2022, at least 1,719 civilians, including children, have been killed by the junta forces and 9,984 arrested.Three prominent NLD members also died while in police custody in March 2021, and four pro-democracy activists were executed by the junta in July 2022 (wikipedia)


6 April 2022

For Tsering Samdup March 30 2022


 For Tsering Samdup, who self immolated on March 30 in Kyegudo, Kham, Tibet. 
His protest took place around 4 pm in front of a police station near a Buddhist monastery. 

According to an anonymous source from exile, Tsering was a very well-educated person and upon his protect, he was immediately taken away by the Chinse police and no one is allowed to meet or inquire about him. 




Note: the CTA report only confirmed the time and place of the incident and said no verifiable information is currently available on the name and background of the self-immolator. Following the news of self-immolation that surfaced on Wednesday, as many as 159 Tibetans since 2009 have now resorted to setting themselves on fire, as a radical form of protest against the Chinese occupation of Tibet.


Source: https://www.phayul.com/2022/04/01/46984/

5 April 2022

For Tashi Phuntsok March 27 2022


 For Popo Tashi Phuntsok, 81 years old, who self immolated on March 28 2022 in Ngaba, Amdo, Tibet. 

Tashi Phuntsok, known as Taphun, set himself on fire around 5 am local time on March 27th in frotn of the Public Secutiry Bureau office at Kirti Monastery in Ngaba. According to a reliable source, right after his protest, the CCP police took his body away to an undisclosed location where he passed away later. 

Taphun is said to have held great concerns about the future of Tibet.  

"Since the sun of happiness will certainly shine over Tibet with the blessings of His Holiness the Dalai lama, young Tibetans should not lose heart!"  - the words spoken by him to guests at his 80th birthday celebration last year.  

5 March 2022

For Tsewang Norbu March 4th 2022 ( February 25, 2022)


 For Tsewang Norbu, 26 years old, who carried out a self-immolation protest in front of the Potala Palace in Lhasa on February 25th 2022. He passed away on March 4th, the second day of Tibetan Losar.  

He was a popular singer and composer of modern, ethnic, popular, traditional songs such as 'Tsampa", "Dress Up" and "Except You" among many that were popular among the Tibetan community at home and abroad. 

The comment section of Norbu's social media accounts have been deactivated due to abundant inflow of condolence messages, while many of his songs are now removed from many Chinese music apps. 

The Potala Palace was the winter palace of historic Dalai Lamas from 1649 until 1959, when the current Dalai Lama fled to India after an uprising against Chinese rule over the formerly independent Himalayan region, triggering a crackdown in which the palace was shelled and thousands were killed by Chinese communist troops in March 1959. 


Source:  RFA English ( Tibet)  -link will be posted later



24 January 2022

Tree of Life


At this moment,  there are people who struggle to live.  
There are people who live in extreme pain. 

Those who stood up to defend freedom but in vain. 
Those who escaped their homelands to find refuges but in vain. 
Those who live under the threats of bombing and no food, water, and shelters. 
Those whose rights to speak their language and to believe their belief are taken. 

They live far away.  How do I reach out to them?  Praying is not enough, I know. 

I live in rather safe territory where there is no immediate threat to live.  
Daily flood of human right abuses, arrests, violence and refuge crises is overwhelming. 

Recently I find it painful to draw feeling pain of fellow beings.  
But my pain in process of drawing their sufferings is no comparison with their pains. 



A memory of being in Luang Prabang came up. 
An old capital in Laos on the shore of Mekong River where I spent some time more than 20 years ago. 
The mosaic mural of Tree of Life at Wat Xieng thong was my refuge.  
I used to walk up to the hill where the temple stood and would look up the mural often in owe. 

I drew the tree wishing this tree grows in every being in struggle and give them new lands and new lives. 









5 October 2021

"Whose Stories" @ Kamloops Art Gallery



 "Whose Stories", curated by Makiko Hara, is up on view at Kamloops Art Gallery. Along with 5 artists' works, there are 17 works ( mixed media drawings, installations and a video) from "Drawings from Dharmsala" and "Gwangju - City of Light" created between 2012 to 2019.

"Reflecting on the experiences and narratives of "others", 'Whose Stories?' shares the work of six artists of Asian descent. Through video installation, photography, animation, print media, drawing, collage, and restored ceramic works, artists Diyan Achjadi, Load na Dito, Naoko Fukumaru, Tomoyo Ihaya,Mark Salvatus, and UJINO convey personal histories told within a community of artists and woven across generations."
Much gratitude for all the professional and sincere work to: Makiko Hara and everybody at KAG; Charo Neville, Krystyna Halliwell, Garnet Dirksen, Matthew Trembley, Emily Hope and Rachel Thompson.
Heart felt congratulations to Makiko Hara and all artists.
Here are some gallery shots and my thoughts below.





The most of works included in this exhibition were made while/after I stayed in the Tibetan community (Dharamsala) in exile in India in 2012. Self immolation protests in Tibet were happening every few days at peak. Other two are related with Gwangju, Republic of Korea and Taiwan where I stayed, made art related with their human rights related struggles and exhibited those works.
Since these visits, I carry so many faces and hearts of people whom I met in my heart. Some have passed away without going back home. Younger friends who live in exile and can not see their families back in their homeland. Never erased wounds after witnessing their comrades died in protest.
I always feel those works are physically drawn by my existing body but emotionally/mentally drawn together with these friends whom I came across in my nomadic life. I learned about their lives, and pain, shared food and laughters, and shed tears together and I owe them lots.
So at this occasion, I feel touched as if their lives were acknowledged and felt by other humans in such a far away place where a history of a tremendous suffering has been recognised recently as well.


3 October 2021

Update: "Migration" by Fight With A Stick , inspired by Video "Eyes Water Fire"


Delia Brett and 'Sadhu' under the white canopy ( mountain or white cloud)
@EDAM, spring 2021


Introducing a collaborative project which started in late 2020.
Dialogues between Alex Lazaridis, an artistic director of Fight With A Stick and Delia Brett, a dancer/producer started much earlier when we first met and they were introduced to my short animation 'Eyes Water Fire" (2016)*.

Alex proposed to create a performance that is a collaboration among performers, sound, light and my art works. For about 4 months since January of 2021, I created art works in much bigger scale than usual. Those are of significant symbols in the video: Blue ( migrating ) legs, eyes ( of witnessing and praying), butter lamps as paper boats, a felted figure as a self immolating person( a revived old work) and a huge paper lantern (snowly mountain). During our experimental sessions, performers, Delia Bret and Diego Romeo, moved among/with the art works while sound and light were experimented by James Maxwell and Parjad Sharifi.

It has been such a profound experience to work with a wonderful group of artists with deep sensitivities and insights. It is amazing to see how one short video can be deepened and expanded in multi-dimensions with many creative hands and eyes.

Attached are some photos from the experimental sessions and of art works created.

Because of the pandemic circumstance and my other commitments, the performance will not be in public till early next year.
I do hope that it can be shown under a relatively normal circumstance next year and many of you can come to see it. I will keep you posted here and on social media.

The below is the excerpt of the description from the website of Fight With A Stick. Website link is below.


"Migration
A personal sacrifice for the good of all. A surrender of body, self, and mind. Feel this burning moment. Migration is a transdisciplinary collaboration with visual artist Tomoyo Ihaya and is based on her work Eyes Water Fire. The project continues Fight With a Stick's collaborative explorations with other-than-human materialities.
The development phase began in November 2020 and ended in May 2021. Full production has been delayed due to the pandemic but we are hoping to bring the show to live audiences in late 2021 or early 2022.

Workshop collaborators: Tomoyo Ihaya (visual artist), Alex Lazaridis (director), Delia Brett (choreographer-performer), James Maxwell (sound design), Parjad Sharifi (light and projection design), Taiga Chiba (carpentry), Sooyeon Goo (assistant to Tomoyo), Mona Lisa Ali (video animation), Diego Romero (performer). Special thanks to EDAM dance."

*Eyes Water Fire is a short animation in which I tried to express meaning of living, empathic compassion and human dignity that I 'experienced' through painful situations in Tibet such and living with Tibetan friends in exile closely. Although my 'experience' is indirect and I can never feel the same pain that many of them went through, I was moved by something to make this video.

To view "Eyes Water Fire"https://vimeo.com/464653184           
Website: Fight With A Stick  https://www.fightwithastick.ca/in-development
Trans is being created for a digital video format. It is in early development stages and is planned for release online in late 2021.

Eye cloud from the May experimental session, May 2021
                                                                                Eyes and Blue legs