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Towards the last two months of my last visit to India in the spring of 2012, I encountered the Tibetan community in exile in India experiencing painful news of their people self-immolating in fire one after another in China-occupied Tibet. My experiences in the past visits in India (drawing a cremation site in Varanasi, documenting fire pits, cremation alters, and contemplating on life and death around fire) synchronized with this particular movement, an extreme way of ‘offering’ their bodies to ‘fire’ for asking freedom and peace.I could not help drawing large and small drawings as emotional response and with a sense of mourning.

After coming back to Vancouver, the self-immolation kept happening and I felt that my personal and professional task is not finished.

I have come back to India to continue to document and draw under the same theme. tomoyoihaya@hotmail.com

25 September 2023

Art news - In the Present Moment: Buddhism, Contemporary Art, and Social Practice, Walter Phillips Gallery, Banff, Alberta, Canada


A group exhibition ' In the Present Moment: Buddhism, Contemporary Art, and Social Practice' opened at Walter Phillips Gallery, Banff Art Centre on September 14th.  Congratulations and gratitude to curators, Haema Sivanesan and Jacqueline Bell, and the preparatory team for their hard work. Congratulations to wonderful fellow artists๐Ÿ™๐Ÿผ(see ⬇️ )I am humbled that 17 drawings from ‘Drawings from Dharamsala’ are included in this exhibition.

Photos below are installation shots before adding captions (sent by Haema Sivanesan, the curator)




Each drawing was drawn dedicating to a fellow human who sacrificed his/her life for others' dignity and freedom.  I am glad their existences will be recognised in the different part of the world.Opening Sept. 14, 5-8pm @waterphillipsgallery in Banff

ใ‚ซใƒŠใƒ€ใฎใ‚ขใƒซใƒใƒผใ‚ฟๅทž、ใƒใƒณใƒ•ใซใ‚ใ‚‹ใƒใƒณใƒ•・ใ‚ขใƒผใƒˆ・ใ‚ปใƒณใ‚ฟใƒผใฎใ‚ฆใ‚ฉใƒซใ‚ฟใƒผ・ใƒ•ใ‚ฃใƒชใƒƒใƒ—ใ‚น・ใ‚ฎใƒฃใƒฉใƒชใƒผใง、『In the Present Moment: Buddhism, Contemporary Art, and Social Practice」ใŒ9ๆœˆ14ๆ—ฅใ‹ใ‚‰ๅง‹ใพใ‚Šใพใ—ใŸ。ใƒ˜ใƒž・ใ‚ทใƒดใ‚กใƒใ‚ตใƒณ ใ‚ญใƒฅใƒฌใƒผใ‚ทใƒงใƒณใซใ‚ˆใ‚‹๏ผ™ไบบใฎไฝœๅฎถใฎใ‚ฐใƒซใƒผใƒ—ๅฑ•ใงใ™。๏ผ˜ไบบใฎไฝœๅฎถใ•ใ‚“ใฎ็ด ๆ™ดใ‚‰ใ—ใ„ใ‚คใƒณใ‚นใ‚ฟใƒฌใƒผใ‚ทใƒงใƒณใ‚„ใƒ“ใƒ‡ใ‚ช、ใ‚ฟใƒ–ใƒญใƒผใจไธ€็ท’ใซ、「ใƒ€ใƒฉใƒ ใ‚ตใƒฉใ‹ใ‚‰ใฎ็ตต」ใฎ๏ผ‘๏ผ—็‚นใŒๅฑ•็คบใ•ใ‚Œใฆใ„ใพใ™。็งใฏๆฎ‹ๅฟตใชใŒใ‚‰่กŒใ‘ใพใ›ใ‚“ใŒ、ใ‚‚ใ—ใƒใƒณใƒ•ใซใ„ใ‚‰ใฃใ—ใ‚ƒใ‚‹ๆ–นใŒใ„ใŸใ‚‰、ใฉใ†ใžใŠ็ซ‹ใกๅฏ„ใ‚Šใใ ใ•ใ„。ใใ‚Œใžใ‚Œใฎ็ตตใฏๅˆฉไป–ใฎ็ฒพ็ฅžใง่‡ชๅˆ†ใฎๅ‘ฝใ‚’็Š ็‰ฒใซใ—ใฆ้€ใฃใฆใ—ใพใฃใŸไบบใฎใ“ใจใ‚’ๆ€ใฃใฆๆใ„ใŸใ‚‚ใฎใงใ™。:::---:::---:::---:::---:::---:::---:::---:::๐—œ๐—ป ๐˜๐—ต๐—ฒ ๐—ฃ๐—ฟ๐—ฒ๐˜€๐—ฒ๐—ป๐˜ ๐— ๐—ผ๐—บ๐—ฒ๐—ป๐˜: ๐—•๐˜‚๐—ฑ๐—ฑ๐—ต๐—ถ๐˜€๐—บ, ๐—–๐—ผ๐—ป๐˜๐—ฒ๐—บ๐—ฝ๐—ผ๐—ฟ๐—ฎ๐—ฟ๐˜† ๐—”๐—ฟ๐˜, ๐—ฎ๐—ป๐—ฑ ๐—ฆ๐—ผ๐—ฐ๐—ถ๐—ฎ๐—น ๐—ฃ๐—ฟ๐—ฎ๐—ฐ๐˜๐—ถ๐—ฐ๐—ฒSameer Farooq, Robert Filliou, Tomoyo Ihaya (@tomoyoihaya), Haruko Okano (@okanoharuko), Tina Pearson (@pearstina), Chrysanne Stathacos (@chrysannestathacos108 ), Susan Stewart, Charwei Tsai (@charweitsai), Paul Walde (@paulwalde), and Lam WongCurated by Haema SivanesanSeptember 15 - December 13, 2023In the Present Moment: Buddhism, Contemporary Art, and Social Practice examines how artists in North America have drawn on Buddhism as a methodology of art practice. It considers how Buddhism has contributed to important developments in contemporary art including the dematerialization of the art object, a phenomenon that radicalized art production and was key to the development of conceptual art and participatory art practices. The exhibition demonstrates the cultural impact of Asia on North America and reflects on an ongoing history of cross-cultural encounter and exchange.Artist books, multiples and scores by George Brecht, Robert Filliou, Dick Higgins and Takako Saito; John Cage; Dick Higgins, George Brecht; Robert Filliou; Pauline Oliveros; Yoko Ono; and La Monte Young (ed).

https://www.banffcentre.ca/in-the-present-moment