Photos below are installation shots before adding captions (sent by Haema Sivanesan, the curator)
Each drawing was drawn dedicating to a fellow human who sacrificed his/her life for others' dignity and freedom. I am glad their existences will be recognised in the different part of the world.Opening Sept. 14, 5-8pm @waterphillipsgallery in Banff
ใซใใใฎใขใซใใผใฟๅท、ใใณใใซใใใใณใ・ใขใผใ・ใปใณใฟใผใฎใฆใฉใซใฟใผ・ใใฃใชใใใน・ใฎใฃใฉใชใผใง、『In the Present Moment: Buddhism, Contemporary Art, and Social Practice」ใ9ๆ14ๆฅใใๅงใพใใพใใ。ใใ・ใทใดใกใใตใณ ใญใฅใฌใผใทใงใณใซใใ๏ผไบบใฎไฝๅฎถใฎใฐใซใผใๅฑใงใ。๏ผไบบใฎไฝๅฎถใใใฎ็ด ๆดใใใใคใณในใฟใฌใผใทใงใณใใใใช、ใฟใใญใผใจไธ็ทใซ、「ใใฉใ ใตใฉใใใฎ็ตต」ใฎ๏ผ๏ผ็นใๅฑ็คบใใใฆใใพใ。็งใฏๆฎๅฟตใชใใ่กใใพใใใ、ใใใใณใใซใใใฃใใใๆนใใใใ、ใฉใใใ็ซใกๅฏใใใ ใใ。ใใใใใฎ็ตตใฏๅฉไปใฎ็ฒพ็ฅใง่ชๅใฎๅฝใ็ ็ฒใซใใฆ้ใฃใฆใใพใฃใไบบใฎใใจใๆใฃใฆๆใใใใฎใงใ。:::---:::---:::---:::---:::---:::---:::---:::๐๐ป ๐๐ต๐ฒ ๐ฃ๐ฟ๐ฒ๐๐ฒ๐ป๐ ๐ ๐ผ๐บ๐ฒ๐ป๐: ๐๐๐ฑ๐ฑ๐ต๐ถ๐๐บ, ๐๐ผ๐ป๐๐ฒ๐บ๐ฝ๐ผ๐ฟ๐ฎ๐ฟ๐ ๐๐ฟ๐, ๐ฎ๐ป๐ฑ ๐ฆ๐ผ๐ฐ๐ถ๐ฎ๐น ๐ฃ๐ฟ๐ฎ๐ฐ๐๐ถ๐ฐ๐ฒSameer Farooq, Robert Filliou, Tomoyo Ihaya (@tomoyoihaya), Haruko Okano (@okanoharuko), Tina Pearson (@pearstina), Chrysanne Stathacos (@chrysannestathacos108 ), Susan Stewart, Charwei Tsai (@charweitsai), Paul Walde (@paulwalde), and Lam WongCurated by Haema SivanesanSeptember 15 - December 13, 2023In the Present Moment: Buddhism, Contemporary Art, and Social Practice examines how artists in North America have drawn on Buddhism as a methodology of art practice. It considers how Buddhism has contributed to important developments in contemporary art including the dematerialization of the art object, a phenomenon that radicalized art production and was key to the development of conceptual art and participatory art practices. The exhibition demonstrates the cultural impact of Asia on North America and reflects on an ongoing history of cross-cultural encounter and exchange.Artist books, multiples and scores by George Brecht, Robert Filliou, Dick Higgins and Takako Saito; John Cage; Dick Higgins, George Brecht; Robert Filliou; Pauline Oliveros; Yoko Ono; and La Monte Young (ed).